Hello once again from Vision Music! Hope all is going well. We want to thank you for the ongoing support and look forward to sharing more with you. Read on.. |
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Our Monster Guitar Solos are the ultimate solution for those who wish to learn powerful language from great players through the eyes of actual tunes, then use the licks in a wide variety of scenarios. There are now 60+ hot solo titles to choose from, each one presented in a beautiful ebook with standard notation, tab, and an mp3 audio file. You'll learn more from one MGS edition then you will from months of private lessons! To hear the solos, click here. Choose one for FREE when you join our site. |
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"Seven Steps to Changes Heaven" is a powerful and popular article that was published several years ago in Jazz Improv (now Jazz Inside) magazine. The purpose of the dissertation is to de-mystify the often-confusing world of jazz education by focusing on the language-based path of such iconic legends as Charlie Christian, Wes Montgomery, Joe Pass and George Benson. To check it out, including the essential seven steps, click here. You won't regret it. |
Question Mark... Long ago it became obvious to me how important it is for a jazz improviser to handle the classic 32-bar Rhythm Changes (aka "I Got Rhythm") progression, almost always done in the key of Bb. Due to the colorful changes it's a perfect vehicle to apply core jazz language. That said, I remember an online interview with George Benson, and when asked he said that you can just play blues over it. He was right but it's easier said than done unless a player possesses a blues vocabulary that includes major blues and not the "just add water" minor pentatonic so common among most guitarists. New "Ask the Coach" feature! Got questions about what you're practicing and how you're spending your time in order to achieve your goals? We've got great answers, tips, and solutions for you, based on decades of teaching experience. And the best part? It's FREE (no strings attached ;-). To email your questions: click here.
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